Entry tags:
- tlv: !ic,
- tlv: abel,
- tlv: alexander hilbert,
- tlv: angeal hewley,
- tlv: avalon,
- tlv: dimitri alexander blaiddyd,
- tlv: doug eiffel,
- tlv: elim rawne,
- tlv: francesca "franky" cook,
- tlv: iris wildthyme,
- tlv: jacob seed,
- tlv: james "bucky" barnes,
- tlv: jedao two,
- tlv: jonathan reid,
- tlv: kirei kotomine,
- tlv: lark tennant,
- tlv: lestat de lioncourt,
- tlv: lester sheehan,
- tlv: mad sweeney,
- tlv: maggie garcia,
- tlv: malcolm bright,
- tlv: natalie scatorccio,
- tlv: neal caffrey,
- tlv: nita callahan,
- tlv: oscar,
- tlv: paul "jesus" rovia,
- tlv: raylan givens,
- tlv: root,
- tlv: rosita espinosa,
- tlv: steve rogers [captain america],
- tlv: will graham,
- tlv: xie lian,
- tlv: zack fair
IC contact for
lastvoyages
[If I don't have an active post up, feel free to use this post to have your character call, videochat, text, or knock on Shaw's door.]
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Maybe she's turning it on to leave, maybe she's turning it on because she doesn't want her safe state of being to be damaged by this, carry this shadow, maybe she just doesn't care.
Neal knows how wildly, catastrophically untrue that last thought is, and it gets him to at least take a breath.
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Lead by example, right Neal?
"Neal threatened to punch me for this because he's pissed off at you, and no-one is telling me why! Do you know what it's like being threatened by Neal? It's like a kitten suddenly got horns!"
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It's that same mild, bland voice, and it almost kills him to stay so pointedly neutral when what he wants to be is fond.
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"It has to do with Malcolm," Shaw says, and then doesn't say anything more. You know what a contentious topic Malcolm can be, Eiffel; come on.
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"Turn off the fucking zero-g, please, Eiffel, I'm not leaving. Neither is she. Shaw doesn't want to be floating."
A furious, shaky breath. "And it doesn't have to do with Malcolm, or barely does, and that's the point."
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And then he unlimpets himself from the wall, and reaches out to grab Neal's arm to help him get upright so he won't hurt himself when he lands.
"Brace for impact," is the warning they both get, and he does give Shaw a few seconds to right herself properly before he does hit the switch and restore gravity properly.
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"This is still a bad idea," she murmurs under her breath.
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"Okay," he sighs, all volume gone and replaced with exhaustion. "From the top. What the hell does or does not Malcolm have to do with this?"
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For God's sake, for God's sake, he just wants her to say something, anything. Wants her to let him have the remotest clue of where they actually stand right now.
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"Alright. I didn't wanna have to do this, but you guys leave me no choice." And he lifts both arms, and gets his hair tie in optimal snapping position. "I am the undisputed champion of hair tie snap tricks on the USS Hephaestus for the last three years running."
His eyes narrow as he looks down the sights of his arm, levelling his arm steadily between Shaw and Neal.
"The next person to say something that isn't telling me what the hell's going on is getting one right between the eyes. And if you're gonna question my aim, if I've fired five hair ties or six, ask yourself this: am I feeling lucky? Punks?"
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She opens her eyes and flicks her gaze towards him, and she should laugh, would laugh under different circumstances, would laugh if she could--
"I'm trying to minimize damage," she says, looking a little uncomfortable.
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Of course, then Shaw says that, and Neal turns around before he can think to stop himself. "Minimi-- What do you think I'm angry at you for, Shaw?"
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In short, not keeping her big mouth shut about her opinions.
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"Why do you think that made me angry?"
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cw mention of suicidal ideation/jumping ship
"Because you weren't listening to me. You ignored everything I said in opposition of that opinion, didn't even think about what I'd said as far as I could tell. Even after I told you the only reason you think I'm biased in that particular way is because you don't see the conversations I have with him, because humiliating him in public happens so fucking often here and back home that the absolute only thing it does is tell him he's a freak who can't learn how to talk to anyone."
He gestures as he speaks, small curt movements he's totally unconscious of. "What I do for Malcolm is the same thing I did for Lestat, it's the same thing I'm about to do for fucking Johann because those of us wardens not directly dealing with a crisis were so far up our own assholes we didn't even stop to remember that the most recent murder victim just had their warden fucking disappear on them!"
He takes a breath. "It's what I can't-- I can't help doing, because I know what it's like to be that person. I can't just let it happen and let people decide they might as well..." He forces himself to take another quiet breath. "If they need someone to be on their side, loudly and visibly on their side so they don't choose to jump the railing like I did before I knew you or pretty much any of my friends now--then that's what I'm going to fucking do."
He turns away again, to brace his hands against a counter or the back of the nearest chair.
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She makes a small, frustrated sound in the back of her throat.
"I was listening. The reason I think you're biased isn't the reason you assumed I had, or the one you argued against. Wanting to take the side of whoever seems the most downtrodden is bias. I'm not saying that as a, uh, a value judgement, it's not a bad thing, but it's emotional decision-making."
She inhales, sharply and quietly.
"I do think it's because you're passionate and big-hearted. And just because it frustrates me sometimes doesn't mean I don't admire you for it. I admire you deeply for it."
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"You goddamn idiot," he says softly. "So are you."
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And he certainly looks a lot less tense about the whole situation; he's even lowered his 'weapon', and starts tying his hair up again. "Just 'cos you're not going around screaming from the rooftops like the boys' locker room line-up are, doesn't mean you're not feeling it, Aunt Sam. Just means the rest of us aren't prepared when it's your turn to start on a nice gourmet foot."
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