Entry tags:
- tlv: !ic,
- tlv: abel,
- tlv: alexander hilbert,
- tlv: angeal hewley,
- tlv: avalon,
- tlv: dimitri alexander blaiddyd,
- tlv: doug eiffel,
- tlv: elim rawne,
- tlv: francesca "franky" cook,
- tlv: iris wildthyme,
- tlv: jacob seed,
- tlv: james "bucky" barnes,
- tlv: jedao two,
- tlv: jonathan reid,
- tlv: kirei kotomine,
- tlv: lark tennant,
- tlv: lestat de lioncourt,
- tlv: lester sheehan,
- tlv: mad sweeney,
- tlv: maggie garcia,
- tlv: malcolm bright,
- tlv: natalie scatorccio,
- tlv: neal caffrey,
- tlv: nita callahan,
- tlv: oscar,
- tlv: paul "jesus" rovia,
- tlv: raylan givens,
- tlv: root,
- tlv: rosita espinosa,
- tlv: steve rogers [captain america],
- tlv: will graham,
- tlv: xie lian,
- tlv: zack fair
IC contact for
lastvoyages
[If I don't have an active post up, feel free to use this post to have your character call, videochat, text, or knock on Shaw's door.]
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[One hand goes to the gun, and the other goes lower: settling on Root's stomach, fingers trailing slowly downward. Can you stay still for a tattooing when you're being touched like this, Root? ]
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Not gonna need both hands?
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We get our hands on some fading ink, and I won't need two hands to hold the thing steady, because it won't matter so much if I mess up.
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[ Root's eyes drift shut. ]
I'm gonna tie you up and tattoo you all over.
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[She moves her thumb in a smooth, consistent rhythm, and draws the gun along Root's collarbone.]
Or just doing it because of how it feels.
[The pain; the ache.]
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I know how much you like it. The sting. The bleeding.
[ She puts a hand on Shaw's leg, clutching loosely at the fabric of her pants. ]
Patching you up.
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[Not the hurt, and not the patching up.]
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Because they don't love you. I do.
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[Root can't move because she can't disturb the needle on her skin, obviously - so Shaw will just have to bend down to kiss her, curling over her with her back arched and her bare breasts brushing against Root's chest.]
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[Shaw mumbles the words against Root's lips, her eyes shut tight.]
But if it ever gets too hard or two weird because I can't say it back--
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[ She has so much time to make up for, almost a year she could've spent telling Shaw she's the light of Root's life. ]
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See, this is why it doesn't bother Root one iota that Shaw doesn't say the words to her: because Shaw shows her how she feels.
Root bites her bottom lip as she locks gazes with Shaw, and then relaxes so Shaw has all the room she needs to do her thing. ]
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[Those words are easy to say. They don't necessitate getting into the weeds about how much she feels and in what way, and whether her internal responses are sufficient enough for things like I love you. Root's beauty is a statement of objective fact.]
I love looking at you.
[And so is that. Both hands still on the gun, Shaw digs her pelvis down lightly against Root's, grinding into her.]
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I'm all yours, you know.
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Yeah. I know. Me, too. How the hell did that happen?
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[ Root doesn't believe in fate. She believes in the Machine, and she knows that She worked as hard as any of them, maybe even harder, to save Shaw. Root thanked Her over and over after She helped get a message out to Shaw, and so she thinks that this one god does look after Her people. None of that is destiny. It's the consequences of actions and decisions. It's the way the wave form collapsed to become observable reality. ]
And they brought us here. [ She reaches up to brush her fingers down Shaw's cheek. ] So mark me up, baby. I'm all yours.
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That was fast. What did you go with?
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There. Now she's done.]
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What'd you give me?
[ She can't see it on her neck without a mirror, and with a mirror, she can't read Farsi. ]
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Two words.
[She says, listening to the th-thump.]
Zende means "alive". And idar--
[She pauses, briefly.]
It's an archaic word. Something I'd hear in the classical poetry my mom read to me when I was a kid, not a word anybody would actually use these days. But it means both "here", and "now". Present in place and in time.
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